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Here is everything you ever wanted to know about performing in a Civic Theatre Guild
production! If you have additional questions, send us an
email and we'll get back to you
pronto!

 | Who Can Be in a Civic Theatre
Guild production? Anyone! Anyone who passes the
auditions that is. Variables such as age range, gender, and anything else that the
director deems mandatory for the character will have been made clear so we won't have a
19 year old male trying out for the role of a 90 year old grandmother. (But then again,
who knows? After all, it is acting!) |
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Do I need acting experience?
No! Community theatre is all about the amateur player - the one willing to take the
chance to go out there on the stage and give it his/her all! All you need is a positive "can
do" attitude and a willingness to commit your time, your energy and your memory. And above
all, be prepared to HAVE FUN and meet some great people!
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 | What will I need to do if I
come to an audition?
In most instances, you will be required to read a few lines of the play based on the
character you are auditioning for. This will give the director an opportunity to imagine
you as that character and to determine if your voice, general appearance and demeanor
can be molded into their vision of what your character would be like. Remember that this
is the stage and there are no microphones to amplify your voice so speak clearly and
project your voice. The audience in the back row needs to hear you clearly. Be as
animated as possible and have fun!
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 | What traits will the director be
looking for at the audition?
It's always helpful if you have some familiarity with the play and the
character you are auditioning for. Copies of each play are made available for
reading in some fashion prior to the audition dates. Usually the director will
make these available to interested
parties at the public library. If you can "bone up" in advance then you can project more
emotion into your character during the audition reading. If you come to the audition
cold, you can ask the director for some ideas as to what he or she is looking for and go
from there. At the very least, demonstrate that you are articulate by speaking clearly
and with good volume. Feel free to exaggerate the tone of your voice and the emotions
behind them. Chances are, you will still seem quiet and reserved from the director's
point of view, but he or she will be encouraged by your enthusiasm. And of course, have
fun! What you feel on the inside will shine through on the outside.
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 | How much time will I need to
commit to rehearsals?
This depends on several things - including the complexity of the play - and will vary
from director to director. As a rule of thumb, you should anticipate rehearsing 4 to 5
nights a week, usually Monday through Friday, with weekend rehearsals scheduled at the
director's discretion. Rehearsals will usually last a minimum of 1 ½ to 2 hours per
night and major parts may require more time than minor parts. Ideally, rehearsals will
begin 5 to 6 weeks prior to the first performance.
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 | Will I get paid for my time?
No. This is strictly a volunteer endeavor by those who donate their time for the sake
of providing quality theatrical entertainment to the community. Everyone involved leaves
feeling richer and with a deep satisfaction derived from whatever role they play - on
the stage or off.
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 | What other ways can I be
involved in the production?
If you don't care to act, you can always help out backstage with props, costumes,
lights, sound or as stage manager. Every production needs at least four crew members -
and there are never enough to go around!
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 | Will I need to provide
my own costumes?
Sometimes yes, sometimes no. Costumes for period pieces will usually come from the
Civic Theatre Guild's collection of costume pieces or from a specialty shop. Plays set
"in the now" can often be costumed more easily from the contents of our own closets. The
director may appoint a costume coordinator to help you with your costuming needs.
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 | Will I have to wear
makeup?
Almost always, yes. Because of the small venue, most plays do not require heavy stage
makeup. But almost every face requires some enhancement in order to stand out under the
harsh stage lights. If prosthetics, hair coloring or other major makeup is required, the
director will let you know.
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 | How long does a production run
from opening night to final performance?
Most Carriage House productions run for three weekends, usually Friday and Saturday
evenings plus a Sunday afternoon matinee. Some directors will shorten the run by a week,
but add a Thursday night performance. CTG productions at the WYO Theater tend to last
one four-day weekend.
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